pyro
Single book of matches, gonna burn what’s standing in the way,
Roaring down the mountain, now they’re calling on the fire brigade
Bury all the pictures, and tell the kids that I’m okay,
If I’m forgotten, they’ll remember me for today
Aiiiaiiiaiii, I won’t ever be your cornerstone
Aiiiaiiiaiii
All the black inside of me, is slowly seeping from the bone,
Everything I cherish, is slowly dying or it’s gone.
Little shaken babies and drunkards seem to all agree
Once the show gets started its bound to be a sight to see
Aiiiaiiiaiii, I won’t ever be your cornerstone
Aiiiaiiiaiii, I don’t want to be here holding on
Aiiiaiiiaiii, I won’t ever be your cornerstone.
Aiiiaiiiaiii
Watch her roll,
Can you feel it?
Watch her roll,
Can you feel it?
Watch her roll,
Can you feel it?
Watch her roll,
Can you feel it?
Aiiaiiiaiii, I won’t ever be your cornerstone.
Aiiiaiiiaii, I don’t want to be here holding on.
Aiiaiiiaiii, I won’t ever be your cornerstone.
Aiiaiiiaii.
Fuente: musica.com
BIGRAPHY:
Sons of a preacher who spent his childhood traveling the southern U.S.. They had no home disks. They went to church at least three times a week listening to the sermons of his father, a preacher of the United Church of Pentecost. The three brothers Caleb Followill, voice and guitar, 22 years, Nathan battery 23 years and under Jared, 17 completed training with his cousin Matthew guitar solo of 19 years.
In 2002 came together and RCA signed them. They began working on their first album Youth and Young Manhood he got a generous score.
They've been compared to bands like The Strokes and Oasis, The White Stripes, Supergrass.
The Kings are based on various influences from the past when developing their own style (if confess have been influenced by bands like The Eagles, 70's, The Band, from the 60, or Lynyrd Skynyrd), but updated to the present with his energy and youth.
Kings Of Leon: the ideal mix of blues of the southern United States, punk, garage and boogie.
When it went on sale the group's first album Kings Of Leon Youth And Young Manhood, back in July 2003, the hysteria surrounding the group had reached its peak. The impressive and amazing blues style featuring the band was compared at the time with names as varied as Robert Johnson, Bob Dylan or even film director David Lynch and photographer William Eggleston. So shocking was the album that came to be described by one critic as "the most culturally important album since 'Definitely Maybe' by Oasis."